American Folk Hymnody

Folk music is that music which is transmitted to succeeding generations orally as opposed to being written down. Generally a distinction between folk music and "cultivated" or art music can be made on this basis (see Gilbert Chase's, America's Music). Folk tunes can be collected, notated, and then published in anthologies; however, this does not make them "cultivated" music. Generally, the origins of folk music are unknown except as it is associated with a particular cultural group such as Appalachian folk music, Irish folk music, Selisian folk music, etc. Composers of cultivated music, on the other hand, are generally known and given credit in a publication.

The Appalachian region of the Eastern United states was settled by European immigrants as early as 1720. In several large waves from about 1776 to as late as 1920, various ethnic groups settled the most remote areas of the region. These included, German, Scotch-Irish, and Italian and each group brought their culture and music with them.

Singing schools became popular throughout the United States from their inception in the 1700's through the 19th century. Itinerant singing school "masters" would travel from community to community organizing classes which would last from several weeks to a month. Many of the singing school masters compiled their own collections of music which they would pack with them and then sell to the attendees. Often the tunebook compilers would notate popular folk tunes of the day and then combine them with various texts by hymn writers such as Isaac Watts, Charles Wesley, etc. Consequently, these singing school tunebooks have become an invaluable source for Early American folk music and the tunes and texts collectively have become known as "folk hymns."

The earliest singing-school tunebook to contain a significant number of folk hymns surviving to the present was John Wyeth's 'Repository of Sacred Music, Part Second,' published at Harrisburg, Pennsylvania in 1813. See John Wyeth and the Development of Southern Folk Hymnody

A folk music revival of sorts occured in the United States in the 1960's and consequently there was a renewed interest in early American folk music. Compilers of hymnal supplements in the late 1960's and 1970's included examples of American folk hymn tunes and some of these subsequently found their way into modern hymnals. Here is a short list of early American folk hymn tunes which appear in current hymnals:

BEACH SPRING (MH #581)
CONSOLATION or MORNING SONG (MH #198)
DETROIT (MH #390)
FOUNDATION (MH # 529)
HOLY MANNA (MH # 150)
KEDRON (MH # 109)
NETTLETON (MH # 400)
NEW BRITAIN or AMAZING GRACE (MH # 378)
RESTORATION (MH #340)
TWENTY-FOURTH or DUNLAP'S CREEK (MH #658)
WONDROUS LOVE (MH # 292)

See also:

Folk Hymnody
Camp-meeting hymnody
Spirituals
John Wyeth and the Development of Southern Folk Hymnody
Library of Congress American Folklife Center/Archive of Folk Culture
American Folk Hymnody in Illinois, 1800-1850
Barbr'y Allen to Jordan's Stormy Banks

Recordings of American Folk Hymnody:

eFolkMusic
Rounder Records


© 2001 Smith Creek Music

Site last updated: February 15, 2007